Advances in lowlight filming allowed for night sequences, like the ones showing leopards prowling in Mumbai after dark. Elsewhere, drones whip viewers through jungles and other previously forbidding landscapes. Wollocombe’s long lens, and a mobile Movi camera used to track the dashing iguanas. The lizard chase, for example, was captured both by Mr. Nimbler mobile cameras allowed operators to move smoothly through environments, creating a more immersive experience and letting viewers “get down on the animals’ level.” Mr.
The goal was to pair the spectacle with an intimacy that made the animals characters rather than just subjects for observation. Unlike the original, though, which specialized in awesome spectacle shot at a remove, “Planet Earth II” seeks to close the distance between viewer and animal. “So you need to find a new way to tell the story.” Getting Intimate “People have seen pretty much every corner of the earth covered by natural history series,” Mr.
Then, after many trips over three years - the filmmakers shooting and waiting from dawn to dusk - a lizard evaded certain death. The challenge was to translate astounding but chaotic behavior into footage that was as spectacular onscreen as it was in person. The scene was a product of patience and the intense pressure to film “things that have never been seen,” Mr.
#LIZARD ESCAPES LOTS OF SNAKES FREE#
In this scene, one plucky iguana was set upon by a swarm of snakes, only to miraculously wriggle free and scrabble up the surrounding rocks, serpents nipping fruitlessly at its heels. Marine iguanas - named for their defining swimming ability - hatch from buried eggs and must immediately traverse a stretch of beach thick with predators, in this case scores of hungry racer snakes. The iguana sequence shows an annual ritual on Fernandina, one of the Galápagos Islands. “You have to try every trick to hook them in and engage them.” “You’re trying to capture new and younger audiences,” he said.
#LIZARD ESCAPES LOTS OF SNAKES SERIES#
reports to “Yakety Sax.” The popularity presaged blockbuster ratings in Britain: The show was seen by 30 million people - nearly half the country - making it one of the biggest natural-history hits since “Planet Earth,” its landmark predecessor from 2006.īut its high meme factor is only one way the little lizard’s Great Escape exemplifies how things have changed in the decade since the original “Planet Earth.” The clip offers a multidimensional lesson in the tactics - some fascinating, some slightly dodgy - filmmakers use these days to stand out in a genre that, “like all of television, has become much more competitive,” said Tom Hugh-Jones, the series producer, who also worked on the first “Planet Earth.” Released as a promotion for the British premiere of the six-part series, the clip became a viral sensation, with internet wags transposing new soundtracks, from N.F.L.
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